#I know the script is terrible
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Going to say this now even though I barely post here::::: Adaptations are never meant to be a 1:1 recreation of the original source material. The goal is never to recreate the exact same experience in a different format, the whole point of remaking something in a different format is to make something new.
I don’t understand why people are out here acting like the new Netflix ATLA walked onscreen, shot the original with a 44 and declared itself the new ATLA. I’m not saying you can’t criticise anything about it or any other adaptation, I just think a lot of people need to remember that an adaptation that gives you the same experience and explores the exact same themes and doesn’t elaborate on or look at things in different angles would be utterly pointless.
#honestly disappointed with how a lot of people are treating the cast of child actors#like even if you don’t like the script writing you don’t need to come after the kids#maybe the fans just have trauma from that terrible movie and don’t know how to cope with an actually decent adaptation idk#while I agree that a lot of live action remakes of animated media are unnecessary that doesn’t instantly make them bad yk#avatar the last airbender#Atla#netflix atla#netflix avatar#avatar live action#natla#natla positivity#natla review#natla critical#avatar analysis
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Mary Tamm plays model Jenny Hart, whose husband is the subject of an investigation, in Public Eye: How About It, Frank? (7.3, Thames, 1975)
#fave spotting#mary tamm#romana i#classic doctor who#romanadvoratrelundar#public eye#doctor who#how about it‚ frank?#1975#thames#pretty terrible pics I know but im still watching these on that Tube You know about bc my dvds are many many miles away#i think i probably only ever watched s7 the once because (outside of the fairly significant plot thread of the first two eps) i remember#almost nothing of this final series. actually‚ because the series (like most of its era) was shot out of sequence‚ this was actually the#very final episode to be shot. the much missed Tamm was early in her career here‚ with just a handful of screen appearances (tho she'd#had a stint with the well regarded Birmingham rep‚ so was hardly inexperienced). later in 75 she'd have her first real meaty role in the#BBC's adaptation of Muriel Spark's The Girls of Slender Means; then of course there was DW a few years away and cult tv immortality#she's good here‚ but hasn't much to do; the role is disappointing tbh‚ her character is a model and shows a mild spark of independence but#the script repeatedly defines her as the wife of another character and‚ particularly disappointingly (and fairly unusually for the show)‚#broadly supports the husband's chauvinistic viewpoint that she should be providing more wifely services ie. cooking and cleaning#it's dumb and irritating and it's very annoying to have Frank tell her she should learn to cook. idk‚ it's a bad moment in a bad sideplot#of a brilliant show. so it goes ig. but hey‚ always lovely to see Mary <3
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Honestly think what’s devastating about Ken snapping at Tom for the ‘you sound a little unhinged’ line was that I never would’ve expected that reaction cause that wasn’t even the worst thing Tom’s said to shiv, even just that day. You kinda forget it’s all happening behind closed doors cause we, the audience, see it all, so for Ken to lose his shit at him over it is just like … a reality check ig
#two things:#a) do we think this is in the script or improvised. cause the ‘don’t fucking touch him was improvised’… but also we know the writers adapt#to the actors so I can see them writing that bc of that scene#anyway. and b) I know Ken would kill Tom’s ass if he head half the things from that 4x7 or 4x8 convo. anyone who disagrees suck my conk. idc#cause if there’s one thing we know it’s that he will defend his siblings from day one to forever whether they fight or make terrible#decisions with world shattering consequences#doesn’t make any of his other actions less awful but I’m just saying that’s integral to who he is as a character and you either get it or#you simply don’t understand#succession spoilers#succession#kendall roy#shiv Roy
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#wow it was an absolute mistake to watch Furiosa right after Fury Road. honestly Furiosa was an absolute mistake in general holy shit#sry i havent been on tumblr lately my hands have been busy w projects but i HAVE TO VENT THIS OUT#WHY WAS ALL THE IMAGERY SO SOULLESS AND SHITTY?? WHY WERE THE COSTUMES CHEAP UNI-COLOUR PLASTIC??#DID THEY EVEN HAVE ANY BUDGET AT ALL? THE CREDITS ARE FULL OF NAMES. WHO THE FUCK ARE THESE PEOPLE DID THEY JUST SIT THERE#WHY DID THEY MAKE SUCH A LOSER VILLAIN LIKE HE HAD ZERO COOLNESS FACTOR NO HUMANIZING/LIKEABLE QUALITIES 0/10#WHY WOULD YOU PUT COMEDIC RELIEF IN THE FORM OF COMEDY RATHER THAN THEATRICS LIKE THE FIRST MOVIE#THEY CALL IT FURIOSA CUZ ITS MAKIN ME A FURIOUS#PLUS LIKE PEPPERING IN SCENES FROM THE FIRST MOVIE MAKES THIS ONE LOOK SO MUCH WORSE BY COMPARISON#hooh okay like fr tho there is no nice way to say it. that was terrible. like terrible bad. no redeeming qualities.#well. there were dogs. thats it. thats where the good parts start and end. i dont even know if they were real dogs tbh#the sound design/music was terrible too. many moments of just dead air (without purpose) or inappropriate sound#the acting was so reserved its like they didnt want any of the actors to show any emotion other than stoic (or comedic for the villain)#man that was definitely like a la croix flavour of movie (except i actually like la croix)#literally tho why did no one show any emotion at all#plus inappropriate romance added like??#and the heavy subject so pervasive in the first movie was like 'oh nvm that didnt happen everything is good here'#just wow man. wow. I wouldn't be as mad if this had any fun factor at all. zero fun to be had in this.#i s2g if there were less neon red paint as a stand-in for blood#... this would've been rated like PG 13 max. it couldve easily been trimmed down to PG like. it was so sanitized.#like im not saying they had to show a certain graphic subject. but they could have actually put the R rating to use#their budget wouldve been better spent rewriting the script and hiring less known actors.#idr when this came out was it a covid casualty or an enshittification casualty? probably the latter if not both#shouldve watched them in reverse order but i wasnt planning on watching the second.#like sure first movie is a bit cheesey and not a lot of depth because of how fast paced it goes. but it was FUN. the actors acted.#anyway thats my vent i gotta mentally cool off now lol that seriously made me so mad#ShitPost.exe#fr tho like i knew it was gonna be shit when i first heard about it happening and the actors they chose. but i didnt know it was...#...gonna be THIS BAD. like especially the visuals and dead air in between awkward one-liners that gave me secondhand embarrassment#0/10 dont watch Furiosa if you havent already. Fury Road is good. Furiosa is like... the dollar store version of that universe#like complete with the halloween store version of the characters costuming lmao i wouldnt doubt that cosplayers have prob done it way better
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i take back what i said abt sasasap what the hell is "TheSceneButBad"
#feli speaks#script shit#it's absolutely terrible that i also name shit exactly like this#so many drafts just called The Thing because *I* know what the Thing is#but which scene is The Scene. and what makes it Bad
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i feel legitimately angry about the pjo tv show. rick makes a huge show of how book accurate it’s going to be and then gives us that? he exploited the trust his fans had in him and our love for this series and we got something that only vaguely resembles the story we know. sure, it was never going to be a verbatim retelling, but you’re telling me the series we got is “book accurate”? i just don’t understand what happened between the huge campaign that happened to get disney to develop a good adaptation of the story to now.
#just to be clear this is NOT a criticism of the actors! i think everyone was cast exceptionally well and is so talented#they were just given a terrible script#and please do not try to defend rick#while i know he was not the only writer he chose to very publically document the process and promise a good adaptation#ugh this is so disappointing#pjo tv#pjo tv crit
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https://pbs.twimg.com/media/GdbfD4aXAAAFk1n?format=jpg&name=medium
from the writers room...that sounds very promising.....
!! Nice!
#i've been a notetaker / writers assistant in a couple of rooms before#ours are a lot smaller but they're pretty fun although super exhausting#one of the ones i was in was for a biographical mini series with someone who was / is stil alive and very famous#who was doing the most insane stuff to try and stop the show from getting made#only to literally two weeks ahead of pre-production decide he'd let them make it but wanted clearance on everything#and he basically red-penned the lot of it and all three scripts had to be re-written in two weeks#the show ended up being terrible as a result#it's kind of a bummer because the guy's life is a super interesting one but you'd never know it from the show#anyway that's a tangent haha#but yes! this is exciting :-)#iwtv s3 bts
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they're making a movie about the night of the very first snl episode, directed by the guy who did juno and starring rachel sennott, gabriel labelle, lamorne morris, cory michael smith, and dylan o'brien. this will either be the greatest or worst movie ever made and it will depend entirely on the screenplay.
#the cast is fucking stacked i really really hope it's a good screenplay#cory will be a GREAT chevy chase if given the script to do so he's so good at being a terrible person#i do Not know about dylan o'brien as dan ackroyd but. only time will tell.
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I'M ONCE AGAIN ON THE FUCKING CSI: MIAMI TOOTHING EPISODE AND I ONCE AGAIN HATE ERIC DELKO PLEASSEALSKEJFOAIWEJF
#calleigh still being with him after knowing this#she is braver than us all#he is so embarrassing and for what#HOW DID THEY SAY THIS SO CASUALLY#“i was toothing last night”#LIKE WHO WROTE THIS SCRIPT. I HAVE SO MANY QUESTIONS.#i know this was 2005 but STILL.#this show so ages terribly but in the best way but also worst way possible. end me.
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YEAH NO TONBI GOT HANDS.......... my timing on suggesting it may be Questionable but I AM very glad it holds up as a movie :] hopefully the interview and We Make Antiques are fun diversions! But also take it easy <3 can confirm Nakai is Pretty Moe in both though <3 And I WILL harass you about Masato's VA next week...
TBF YOU SUGGESTED IT A WEEK OR SO AGO twas on me for taking a while to get to it... nevertheless i did really enjoy it thank you..... AND YAYA IM SO STOKED TO WATCH THE FULL INTERVIEW AND WMA2 THANK YOU SO MUCH AGAIN ☆*: .。. o(≧▽≦)o .。.:*☆!!!!!
esp cant wait to hear about masato's VA in the future.. 👁️👁️
#snap chats#LISTEN i think we all just have to accept at this point any time there's a story about a doting father or fts a doting father#i will cry like its unavoidable. so whether my life's falling apart that week or everything's fine#There Will Be No Difference In How Much I Cry ☠️☠️ im just built terribly what can i say it makes for GREAT inspo tho#tonbi WAS real cute tho and i did enjoy it a lot Because yasu did remind me of my dad a lot#very lucky to say my dad's never slapped me or thrown water in my face tho so LMAO BUT FOR THE MOST PART Yeah...#in a way it weirdly felt like watching an AU of my life. if i may sound insane. listen i already said the kid's name had me twisted LISTEN#fr tho cause ive always wondered what my life wouldve been like if i was able to be raised by my dad instead#im gonna make myself start crying if i get too deep into it LMAO NEEDLESS TO SAY i really enjoyed the movie :)#EVIL that they really did let us see akira get married and now yasu gotta give a speech and If He IS Anything Like My Dad#i know damn well he was winging it and didn't prep a script and I Will Start Crying if i think back to my sis's wedding#STILL MAD THAT THE ONE TIME I HAD TO PISS WAS RIGHT BEFORE HIS SPEECH BUT WHATEVER MOVING ON#said i wasnt gonna talk bout the movie/my dad anymore lest i make myself UPSET yet here i am... always saying more when i shouldnt ☠️#but yeah... i have ONE (1) more comm this week Lest Someone Wants To Snipe A Spot IDK#SO im gon do that :]#and im kinda tired rn... but the uncertainty of how much time i have nowadays urges me to work on it a bit#i dont THINK it should take super long but it IS a full-rendered piece so.... it will take time needless to say#n e way not to sound insane but nakai is An Endearing Chap. is the most sane way i can put it#i mentioned it durin a stream but somethin bout him just naturally exudes cute... idk... im delirious probably ANYWAY BYE FR NOW#CANNOT WAIT for next week to be harassed 🥰🥰
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i don't know what to say for those posts asking "what's the worst movie you've ever seen?" because i don't really watch a lot of movies that i know will be bad, and by bad i mean in a way i won't enjoy. i've seen a number of "bad" movies that i found enjoyable enough that i wouldn't actually call them bad. i've seen movies that bored me but i wouldn't call bad because they just weren't to my taste and they probably had at least some technical accomplishments. any actual Bad movies by my metrics are films i probably haven't watched. because they look bad.
i guess my actual answer to the question would be like, some stupid 2000s comedy with a lot of raunchy "offensive" humor that my brothers and i watched because it was on tv or a comedic actor our parents liked but who was well past their era of making good movies was in it. but i wouldn't even be able to pick out any one of those that was memorable enough to be the clear worst. and honestly chances are whatever it was, there were at least a few jokes in there that i laughed at. so i can't say.
#movies#i've somehow never sat down and watched the room despite having read the disaster artist and knowing pretty much all there is to know#about the film's production and its general ineptitude and all the iconic lines and scenes#because i just don't know if i'd be able to do that. willingly obtain a dvd copy of the room and put it in and watch the whole thing.#sure it'd be funny but how much of the viewing experience would be entertaining and how much would just be awkwardly watching people fumble#through a truly terrible script and direction.#same goes for other iconic Bad Movies like manos or troll 2 or birdemic. i'd need to watch them in one of those theater screenings#full of people who do love bad movies and will all be sincerely appreciating it together#this has been: philosophy of film at stripedtabbycat dot tumblr dot com
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For reasons that are too stupid to go into, I'm putting out into the universe that I need someone to overlay Steve Winwood's "Higher Love" over the scene at the end of Prometheus where the giant facehugger monster kills the pissed-off Engineer
#it makes sense if you read the original draft script#which i do not suggest anyone do#it's almost embarrassingly terrible (as is the finished product but you know#do not go seeking further context
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#POKEMON SCRIPT FINISHED!!!! WELL KINDA#I'm done in the sense that i have finished writing the script but i still need to touch it up#it's 10000 words right now which feels insane. I DIDN'T EVEN TALK ABOUT EVERYTHING. HOW#i have no idea how anybody ever does this this was so hard and i don't know if it's even good#like i may have just spun my wheels about pokemon for 10000 words like it's harrowing to think about#but hey. I'm a kind of done so that's awesome! like let's fucking go#why does it take so much work and time to do anything#augh I'm very happy that I've written this though. I HOPE IT'S NOT TERRIBLE TO OTHER PEOPLE I'M SO WORRIED IT'S BAD#I'll be fine I'll be fine just oh god i hope people are nice to me about it
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we were always going home ,
yes, i have shifted, more than ten times, if you’re the sort who counts miracles like matchsticks or notches on a headboard. i am not. i do not tally my miracles like debts to be repaid. they arrive not as triumphs, but as returns. familiar. like a song i almost forgot i knew until i was humming it again, accidentally, under the breath of my dreaming.
i do not care if you believe me. i say that without spite. belief was never a prerequisite for truth. you do not have to clap for the moon to rise, nor bow to the ocean to be pulled under. reality does not ask for applause. it simply is.
i shifted after four years. four years of thinking maybe i was broken in some exquisite, cosmic way, cracked just wide enough to want, never wide enough to have. four years of collecting every method like seashells, pressing each one to my ear and listening for home. sometimes i heard static. sometimes i heard blood. sometimes i heard nothing at all.
there were nights i didn't think i'd live to see morning. i say that with the softest voice possible, not for pity, but because it's true. i don't mean metaphorical dark nights of the soul, i mean the real ones. the kind where your body's still, but your mind is clawing at the walls, begging for a window. the kind where shifting wasn't some spiritual hobby or escapist whim, but a lifeline. a rope thrown into the pit.
i don't know who i would've been if i hadn't believed. not the glowing kind of belief. not the pretty kind. but the cracked, ugly kind. the kind that crawls. the kind that gasps, "please, just let me wake up somewhere else."
so when i say i shifted, i don't say it lightly. it wasn't a party trick. it was a resurrection.
quiet. not cinematic. not some thunderclap of fate. it was a shift like how morning happens, slowly, and then all at once. i remember going to sleep in my room, wrapped in some terrible hoodie, the air stale with the smell of forgetting. and then, like a breath i didn't know i'd been holding: i am there. not will be. not want to be. not maybe one day. i am. right now. here. and there.
it didn't feel like magic. it felt like choosing god, even if you don't know who god is. like giving yourself permission to walk on water not because it's easy, but because the alternative is drowning.
the assumption wasn't loud. it was a hum. a bassline beneath everything. and the moment i tuned into it, the world bent. not to serve me, but to meet me. like it was always trying to.
this is how i got there: i assumed i was there. i used the law.
i wish i had something more elegant to offer. a potion. a spell. a hundred-counted ritual. i don't. i have only assumption. not the performance of it, but the private, unwavering kind. the kind that does not blink. the kind that plants a flag in the dirt and says, "this is mine, because i said so."
i said i was there. so i was. not overnight. not in a blaze of light. it happened like a thread slipping through the eye of a needle, one slow stitch at a time. i told the air around me that my dr was real. i told the silence. i told the toothbrush in my hand, the toothpaste cap i dropped on the floor, the moth blinking against the bathroom light.
i didn't have to fight for it anymore. i didn't have to prove myself worthy. desire is not a courtroom, and the universe is not a jury. i stopped begging. i started being. and slowly, the scaffolding of this reality dissolved.
this wasn't faith. faith is something you carry with trembling hands. this was certainty. this was sitting still long enough for the river to realise it already knew your name. this was recognising that shifting was not a door you unlock with the right key, but a room you have already lived in. the furniture remembers your weight. the walls still echo your voice.
i shifted because i remembered.
and i kept remembering. even when it felt stupid. even when it hurt. even when the forum girls sighed and the scripting girls cried and the cynics said i was lost in a fantasy. maybe i was. but so is everyone. some people just settle for worse ones.
this is what i know: you can get there too. you are not cursed. you are not exempt. the moment you stop performing belief and start inhabiting it, like a house, like a skin, like an inheritance, you will see.
it is not far. it is next. it is with. it is just beyond the veil of doubt, waiting to be spoken aloud like a name that's always been yours.
you do not have to be special. you do not have to be chosen. you do not need a voice in the sky or a star to fall at your feet. you only need to decide. quietly. daily. like it's brushing your teeth. like it's feeding the dog. like it's the most ordinary miracle in the world.
let it be that simple. let it be that unremarkable. you were never meant to earn it. only to remember it. only to open your hands and realise they've been holding the key the whole time.
assume. not with fear, but with fondness. not with hunger, but with homecoming.
and if you don't believe yet, pretend. not out of desperation, but out of reverence. act like you are there not because it will trick the world, but because it will tune you to it. reality doesn't respond to panic. it responds to presence.
so say the toothbrush is yours. say the air smells different. say the cereal tastes sweeter. say the light is warmer. say your name with a little more certainty. you don't need proof. you are the proof.
and do not ask yourself how again. ask when. ask what now. ask am i ready to walk through the door i've been holding shut with both hands all this time?
because the door is open. the light is on. your seat is warm. your name is carved in the table.
come back.
#shifting#reality shifting#shifting motivation#desired reality#reality shift#realityshifting#shifting realities#shifting community#loa tumblr#master manifestor#loassblog#loa success#loablr#loassumption#loass#loa blog#manifestation#manifesation#manifesting#instant manifestation#law of manifestation#how to manifest#shifting antis dni#shifting blog#kpop shifting#marauders shifting#reality shifting community#reality shifting methods#shifting advice#shifting consciousness
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Once again tumblr is silencing my voice by not letting me add more than 30 tags. Okay the rest of what I was going to say is that if you gave him an assignment that was simple and out of the way enough, even upstairs, he might be able to stick it out for a couple hours. Another factor that determines how long that might be is where this is happening. Is he at Brinkley Court? Then Aunt Dahlia and the other servants (whom he seems to be on good terms with) will cover for him. No matter what he screws up, “oh, that’s Barry! He’s just new here!” Jeeves might be able to work something similar at a different manor house (presuming Bertie’s face isn’t already known there) if he’s on good terms with any of the servants there. They might agree to take Bertie under their wing as a favor to Jeeves. It also depends on whether Jeeves himself is there to help him, whether they’re working in the same area of the house, and if they’re able to inconspicuously pull each other aside to confer.
In conclusion: can’t answer question, too many variables
#this is tough because i kind of have to add some nuance#regarding the wording of the question itself#the question being asked is not how long he would last before getting found out#it’s how long he would last before saying/doing something inappropriate#the answer to the latter question is ‘within the hour’#because bertie’s model for what a proper servant is supposed to act like is jeeves. and jeeves says and does inappropriate things constantly#jeeves is not normal. he is not passing on good servantly practices. bertie does not understand that his own willingness to listen to#long lectures about pearls and shakespeare is not universal to all employers#however if the implicit question is how long before he’s caught that could vary a lot more depending on a range of factors#first of all as some have already noted i think bertie is smarter than he presents himself as#in the show he can’t make tea even with a manual but i don’t believe there’s any such scene in the books#he often is very vague about the details of jeeves’ valeting activities which could be taken to mean he doesn’t understand them#but could also just be conservation of detail or simply not seeing it as that important#everyone at this time knows what a valet does - we don’t need a detailed word picture about it#bertie has every detail of jeeves’ facial expressions and body language memorized#that speaks to many hours of staring at him and observing him#i believe bertie has spent enough time watching jeeves to grasp the basic theory of much of what he does#he would perform the task of ironing a shirt terribly but he COULD perform it#he understands the basic steps of 1. lay shirt on ironing board 2. pour water into iron 3. plug in iron#(electric steam irons were invented 1926 they could have had one from very good jeeves onwards)#and the end result would be a shirt with creases in all the wrong places that has nevertheless clearly been pressed with an iron#i think he could pass for a BAD servant for at least the better part of a day#as prev said he has better chances downstairs#you could hand him a dirty pot and a scouring pad and some soap and tell him to scrub it#upstairs he’s on very thin ice. again like prev said he has an expressive face and no filter#however i’m going to say that if he REALLY put everything he had into it he might be able to last an hour or two. again because of how much#he’s observed jeeves. if he kept mentally repeating ‘stuffed frog face. stuffed frog face stuffed frog face’ (there is a chance he would#eventually accidentally say this out loud) he could probably do a just plausible enough impression of a very distracted spaced out servant#who probably jumps every time someone speaks to him#if he DOES have to speak he knows a few scripted lines from jeeves but again jeeves is not the best model for talking like a proper servant
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You Let Me Complicate You
18+ 4k homelander x f!reader. bickering, post-breakup sex, dubcon/coercion, angst, jealousy, emotional manipulation, implied murder, stalking, boundary smashing, breaking and entering, cunnilingus, penetrative sex. read on AO3. written as a follow-up to the breakup, but can be read as a standalone. gif credit.
Breaking up with Homelander is... complicated. After all, it is a god that loves you.
"What do I taste like?" You asked him once, drunk on pleasure and those early honeymoon days of loving him. He’d been slow to answer, thinking it over. "Love," he said at last. "Like you love me." You wonder if that holds true. If he can still taste love in you. If that’s why he’s so eager to devour you, or if the absence of it has made him even hungrier.
Homelander is an aberration.
Stronger than a hundred men, faster than a bullet and sharp as a tack all paired with a teaspoon’s depth of emotional maturity. He’s volatile, twisted, broken in ways no amount of therapy could ever hope to duct tape back together. He’s no better off than a dog that bites to kill. No matter how he got to this point, the best thing for him–for the world–would be to put him down by any means necessary.
Too bad you can’t seem to stop fucking him.
It’s late when you hear the front door open with a distinct crack. You’re sprawled out on the couch in the living room, one leg draped lazily over the armrest. What comes next is no surprise to you–a shock of primary colors filling the narrow doorway, a handsome face made ghoulish by the haunting light of the television in an otherwise dark room.
“You nailed the door shut,” Homelander says, the inflection of his voice somewhere between a question and a statement.
“Because you broke it,” you throw back, a stale Twizzler balanced between your lips. It had tasted good enough when you started eating it, but now–in his presence–the sweetness of it has turned sour.
“You changed the locks,” he says with a light shrug, cape swaying as he meanders towards you. “My key didn’t work.”
“Your key? Stealing a key to my house does not make it your key,” you say tersely, lifting your foot to press it firmly to his thigh, stopping him in his tracks.
He glances down, a mirthless smile tugging at the corner of his mouth before he catches your ankle in his gloved hand, yanking you down the couch so suddenly you lose your Twizzler to the floor with a gasp. It’s one thing to know that Homelander has strength enough to throw cars like frisbees. It’s another to feel it. It sends a rush of adrenaline through you like a jolt, followed swiftly by something hotter low in your naval.
“Y’know, I’ve been thinking,” he begins, dropping your ankle. He lifts his knee and slots it between your legs, his opposite boot on the floor, his hand braced on the back of the couch, pinning you in place.
“Don’t hurt yourself,” you cut in dryly, moving to shift up the couch, away from him. He snatches your shoulder, halting you with ease. His thumb strokes your skin idly, goosebumps erupting beneath his touch.
“And I’ve realized that this whole… thing between you and I, this ‘will they, won’t they,’ ” he says, bobbing his head side to side. “It’s getting stale. Don’t you think it’s about time we progressed the plot?” He asks, leaning in close.
You brace your hand against his chest, holding him in place as ineffectually as you did earlier. You both know it’s all a game. It’s all pretense. There had been fondness between you once–love, even–but you’re done with that now. You have to be done with it, or Homelander will swallow you whole. He’s a black pit, a murderer, and his need knows no end. He’ll destroy you and everything you know and love if he thinks it’ll satiate that need.
You’ve lost enough. You can’t afford to lose any more of yourself to him.
“Jesus Christ, you even think in TV script,” you say, pushing on his chest. He leans back, but not by much. It sends a terrible little chill down your spine. “I’m starting to think the only thing that might actually kill you is an original thought.”
His eyes narrow and his bright white teeth flash predatorily in the darkness. “You’re lucky I haven’t broken your neck,” he says, hand slipping from your shoulder to your throat. The sharp press of his thumb into your windpipe steals your breath, makes your thighs tighten on either side of his leg snug between yours. His lips split into an unkind grin. “Or maybe not. You’d probably like that.”
“You’re disgusting,” you spit, gripping his wrist with your other hand. Your pulse is starting to throb against the leather of his glove. He moves his thumb from your windpipe to your jaw and turns your head away, leaning in with a deep, pointed inhale along your neck.
“Is that why your hormones are going haywire? Because I disgust you?” He asks, grinding his thigh between your legs in a way that makes you gasp. “Y’know, given how full of it you are, I was sure I’d smell the bullshit on you. But all I smell… is how fucking wet you are.”
He grabs your hip and the memories come to you like muscle memory. How good it feels to be gripped and fucked and loved by someone beyond your comprehension. To feel as if you’ve stopped the world turning and called the sun itself to shine on you alone.
You twist your chin out of his grip and level him with a heated stare. “I hate you,” you hiss, grasping for the knife you know will twist the deepest.
It works for a second, his smug expression faltering, but only for an instant. His jaw sets, and his lips curl into that same unkind smile. “C’mon, babe,” he coos, the intimate familiarity woven into that pet name making your skin crawl. “We both know that I can always tell when you’re lying.”
He kisses you like he always has. Like you belong to him. In a way, you suppose you always will. There’s nothing you can do to pry your throat from Homelander’s jaws. Nowhere you can run that he won’t eventually find you. Like quicksand, the more you fight, the tighter he clamps down. Truth be told, though, that isn’t the worst of it. The worst of it is that the tighter he grips you, the less you want to fight him.
His tongue slithers into your mouth like a serpent into the garden and you bite down hard. While pliant between your teeth, the flesh doesn’t yield. It never will. He never will. Instead he moans a little chuckle that fades into a rumble against your lips.
“That how it’s gonna be?” He asks, the words rasped into your mouth. “Y’wanna bite and claw? Play hard to get?” He laughs, the sound of it reedy and light, like it’s all a silly little game of make-believe. “I can do that.”
He reeks of his own desperation for what he says to be true. More than anything, he wants to dress up his desires as yours. He wants to believe he’s giving you what you want. That way, he can trick himself into believing you need him.
He bites the middle tip of his glove and tugs it off with his teeth, tossing it aside. His bare thumb brushes your lip, smearing his spit and yours. “I saw you with that fucking loser,” he says, the airiness suddenly gone from his voice.
Your stomach drops. Two days ago you’d been with a man. You’d been so desperate to forget him that night that anyone would have done the job. You stumbled out with some nobody from the bar who’d been good enough for a sloppy makeout session in the back of his truck, but not good enough to bring home. It hadn’t ended well.
How close of an eye is Homelander keeping on you?
“I’d be angry if it hadn’t been so fuckin’ pathetic,” he says through his teeth.
“Liar,” you say tightly. You feel his fury in the tension of his body. He’s pissed that you’d seek this out anywhere else. As if he still has a claim over your body. Your pleasure.
His eyes flash up to yours. He sneers, pushing his thumb between your lips. “I watched you bite his lip until he bled. I watched him slap you,” he says, dragging the pad of his thumb along the ridges of your bottom teeth. The memories come to you as he speaks them, every moment of it made bleary by alcohol. “You wanted it rough, but he couldn’t handle you, could he? Because you’re used to something better. You’re used to a god.”
You sneer right back at him, yanking your head to the side, his thumb slipping from between your lips. “Could you be any more in love with yourself? Go fuck yours-”
“I still had to kill him, of course,” he continues nonchalantly, grinding your thoughts to a screeching halt. He laughs humorlessly. “For kissing you. And, well–for everything else, obviously. Slapping you,” he says, brushing his knuckles down your cheek. The same one the man had struck. “Humping your leg like a fucking dog.”
“Why are you doing this?” You ask, throat tight. Bile burns at the back of it. All you wanted was to get away from this. The blood, the horror of it. Yet no matter what you do to dissuade him, he brings death to your doorstep. “You have everything. You could have anyone. Why are you–”
“Because I want you,” he hisses, words so sharp his sharp teeth snap together. “Because I love you, and that’s what you do when you love someone,” he says. You can feel the accusation building in his words. “You don’t give up on them. And if that means cleaning up every dirty little mistake you make,” he says softly, lips brushing the shell of your ear. “So be it.”
A cold shiver rolls down your spine. You stare woundedly at him, lips parted, brows pinched together, the misery of it all etched into every line of your face. He stares at you in turn, and after a beat, his own hard expression softens.
“Hey, hey,” he says, the heat of his breath a ghostly kiss on your lips. “It’s okay,” he says, brushing the tip of your nose with his. “I forgive you.”
He kisses you again, more tender now. Your eyes prickle with tears. His gentleness hurts so much more than his violence. It disarms you, carries you to a time when things were simpler between you. Sweeter and warmer.
Homelander makes the world feel wonderful and dangerous, like standing in the middle of an electric storm. Being loved by him is the feeling of having your ribs cracked open, your heart cradled in his bare hands, possessive and bloody. What had been thrilling grew stifling, a feeling you realize now never truly went away.
He’s inescapable, literally and figuratively. Even when he isn’t inviting himself into your home or lurking in the periphery of your vision, Vought’s hero is plastered on every billboard and screen in the city. You haven't been able to breathe without inhaling the thick miasma of him.
Tears roll down to your temples as you kiss him back, both hands fisted in his soft hair, tugging. He makes a pleased little sound against your lips, teeth grazing your bottom lip. He’s always kissed like a man possessed–like every brush of your lips is a drop of salvation–but the hunger he’s developed since you tried to leave him is unparalleled. He kisses you like he means to devour you whole.
You bite back a sob, but the hiccuped noise of it catches his attention nonetheless. He breaks from you, looking down at you with a feverish mix of yearning, impatience and something that almost resembles pity, which might be the closest thing he knows to sympathy.
“Hey,” he coos, dusting your jaw with feather light kisses. “Don’t cry.”
“It’s awful,” you choke out.
“What is?”
“Your love.”
“I know,” he says after a prolonged pause. “It’s all I know.”
You look at him, the image of him bleary through your tears. There’s a morose resignation in his ocean-storm eyes, a distance that makes him seem far, far away from you, even as you taste the heat of his breath on your lips.
Focus returns to his gaze, and suddenly he’s present again. “It’s all I know,” he says again, his tone made of wood, stiff and splintering.
Swallowing the lump in your throat, you lift your palm to his cheek, hovering just shy of touching. He’s pulled to it like a magnet, nuzzling into your palm, eyes closing. His hand slides down the familiar slopes of your body, settling at your hip, where his fingertips sink in like claws, the pressure of them shy. For as vicious as things have gotten between you, he’s never hurt you. A fact he lords over you as if he should be applauded for it.
I love you more than anything. You know that, right? That I would never do anything to hurt you? He’d asked you during that first fight. When everything went wrong.
You’d only been able to nod then, trapped with a man you didn’t recognize wearing the face of the man you loved.
That’s right. Of course you do. Because if I wanted to hurt you, I would have. It would have been easy, huh?
Despite how desperately you’ve tried to fortify yourself against him, it’s still so easy.
Homelander is an aberration, but so too is he a man, and there was a time when the man was all that you saw. When the monster at the core of him reared its head, bloody and unrepentant, that became all you could see in him. Now, the two are so irrevocably tangled in the sinew of the other, you’re never sure which you’re looking at.
“I miss you,” you confess to the man in him, voice so soft only his ears possibly could have discerned the words. As if you can hide the words from the monster lurking behind if you speak them quietly enough.
He looks as confused as your own aching heart. “I’m here,” he says, everything in his tone willing you to believe it. He doesn’t understand that you miss who he was before you knew what he was.
A mournful noise swells in your chest, but he kisses you before it can escape. “I’m here,” he says again, the hand at your hip turning into a fist in the fabric of your clothes, tearing them at the seams. “I’ll make you feel better,” he says between presses of his lips, hungry and rushing, like he can outspeed your miserable grief. “Let me make you feel good.”
Sex has always been an avenue of redemption for Homelander. Whether he’s frustrated, anxious, wounded or a combination of them all, he’s sought to remedy it through a good orgasm. He treats you as though the notion should hold true for you: the fight doesn’t count so long as he makes you come.
Yet again, you’re left stricken by him. As you have a dozen times before, all you can do is nod. Deep in your core, you know he’s right. He can make you forget this horrible ache in yourself, the grief and the fear. He can take you away to the dream you’d lived before you met the beast in his shadow.
Coherent thought turns to water slipping between the cracks of your mind as Homelander’s bare fingers brush your inner thigh. You suck in a sharp breath that leaves you as a shudder and you clutch at his collar, twisting the fabric, unsure if you mean to push him away or pull him closer.
Homelander makes the choice for you, closing the distance and kissing you too gently, too sweetly. You spur him with your teeth, needing it faster, harder. Needing it to hurt just enough to not feel entirely right. He ignores your prompt, focused wholly on tasting you, on sliding his fingers up into the waiting warmth between your thighs. He presses the pad of his middle finger to your clit, deft and familiar.
You sigh, closing your eyes, ready to lose yourself to the feel of something good. He slides serpentine down your body, kissing you through your shirt, nipping at your skin through the fabric for the way it makes you jump. His lips trail down until they pass the hem of your shirt, finding where he’s stripped you. His mouth is unbearably warm, breath hot huffs on your bare skin, goosebumps erupting everywhere.
He mouths at your hip, sucks the skin dark before trailing further down, leaving a constellation with his lips. The scorching wet heat of his tongue feels like a brand on your clit, replacing his hand with his mouth.
You thread your fingers into his hair, widening the spread of your legs to allow for the way he shoulders under and between them, lifting your lower half. He nuzzles into the nectary sweetness of you, moaning unabashedly for your familiar taste.
What do I taste like? You asked him once, drunk on pleasure and those early honeymoon days of loving him. Everything about him fascinated you; did his super smell lend itself to super taste? Could he pick out each note of you, dissect your profile into sections?
He’d been slow to answer, thinking it over.
Love, he said at last. Like you love me.
You wonder if that holds true. If he can still taste love in you, if that’s why he’s so eager to devour you, or if the absence of it has made him even hungrier. If he plunges his tongue to the core of you in the hopes he might discover lingering shreds of what the two of you once had.
A moan escapes you. His fingers bite into your thighs, tongue coaxing more. Restraint dissipating, you tighten your grip on his hair and tug, grinding hard against his mouth. He knows the stepping stones of your pleasure as well as you know yourself, knowing just when to suck, when to lick. He’s more relentless than any other man could hope to be, never needing to stop for breath, never succumbing to aching muscles. He maintains a pace that sends you careening so viciously towards release, you give a choking gasp when it hits you, your head thrown back against the couch as euphoric relief rolls through you in waves.
Homelander shrugs out from under your trembling thighs, his mouth slick and shining, eyes predator wide. You’re both panting, silently gauging the other. You’re first to break the standoff, his hunger infectious. You climb onto your knees and grab his shoulders, pushing his back to the couch, straddling him. He keens when you kiss him, an addictive sound that gives you a deceptive sense of power.
He murmurs your name in fervent repetition, dragging his mouth along your skin, inhaling you like a drug. You unbuckle his belt with the ease of experience, unzip his pants and slip your hand inside. Curling your fingers around his cock, you find it already hard and dripping in anticipation.
“Anything you want,” he breathes, the words coming between the prayer-like recitation of your name. “Money, diamonds, anything, I’ll make you a queen,” he says, eyelids fluttering at your touch. He pledges these things like an act of devotion, but you recognize this Faustian bargain for what it is. It will cost you your heart and soul.
“I’ll make you a god,” he moans at a particularly deft twist of your wrist.
Making you come will have to be enough for now.
“Fuck me,” you tell him breathlessly. “The way I like it.”
Like flipping a switch, the dazed pleasure in his eyes sharpens. The corners of his mouth tug, his upper lip twitches, eager tension slipping into his touch as his hands slide up your thighs, grasping your hips. His fingers sink in tight enough to bruise, despite the gentleness of his touch. The immeasurable power lurking within his unassuming frame is a novelty that never wears off, a thrill that shocks you to your core no matter how many times you experience it.
Like a vicious storm, he’s beautiful and terrible in equal measure. Caught in the eye of his maelstrom, the only thing left for you to do is weather him.
He guides you down onto his cock in one slow, agonizing pull. Even with his spit and your orgasm easing the way, it’s too much all at once. Relishing the aching burn of being split apart by him, you make a noise that gives him pause. You don’t let him stop. You brace your hands on his shoulders and lift off of him almost entirely before sinking back down deeper than you had before, wringing a moan from him in turn.
Homelander’s fingers dig securely into your back as your bodies slot together and find an old, familiar rhythm. By now he knows exactly the angle to take to best pleasure you. You let out a shaky sigh at the warmth that spreads through you, the pressure of your climax building, his heat sinking into you like the light of the sun itself.
You’re used to a god.
You cup his face and kiss him. You bite his lip until you should taste blood. You dig your nails into his skin so hard your knuckles ache. If he notices it, he’s only pleased by it.
“I’d move heaven and hell for you,” he swears between kisses, ripping the shirt from your body. The cool air hits your damp, hot skin like a shock.
“I don’t want them,” you say, voice catching on one of his sharp and sudden thrusts. He’s close. You can feel it in the tightness of his muscles, in the erratic, merciless way he drives into you.
“Doesn’t matter,” he says, voice reedy, tight. He kisses down your chest, scrapes his teeth over the swell of your breasts. “They’re yours. It’s all yours. I’m yours.”
Those words should hit you like a prison sentence, but they don’t.
They make you come.
Homelander holds you tightly as he, too, breaks into pieces, filling you with light and heat. He chokes more promises against your skin, kisses the salt from your skin and licks it greedily from his lips. You spin in place in his arms, dizzy on your own orgasm, riding out the aftershocks with his cock throbbing against the quiver of your cunt.
For a long while there’s nothing but the sound of your breaths and the distant din of the television. The tremors wracking your body gradually fade, and the chill of the open air begins to set in.
Homelander holds you tight as the sweat on your skin cools. He kisses a trail from your neck to your shoulder, nuzzling there before he rests his head down, face tucked into the crook of your neck. You feel wrung dry, eyelids heavy. You card your fingers absently through his hair, body boneless against his. Your eyes ache from crying, but you don’t mind it. Strung out like this, the aches left in the wake of pain and pleasure both feel equally good.
“It’s late,” he says warmly, a smile in his tone. He sounds lovesick, the way you both did once upon a time. Back then, you thought you knew every dark corner of his insatiable heart. “We should sleep.”
“Okay,” you agree, voice frayed. He lifts you gingerly from his lap, adjusting to cradle your naked body to his chest. Despite how Homelander unspools himself before you, you’re always the one left reduced. Bare and vulnerable both physically and emotionally. You slip your arms around his neck as he stands, resting your head on his shoulder.
“I could take you to the tower,” he whispers, sending a chill down your spine. “My bed’s bigger.”
“No,” you say, remembering a door you cannot reach, no matter how many times you grasp for it, and the god’s hands that sent you spinning. He’s already so capable of turning your home into a prison. You’re not sure you’d ever escape his penthouse. “I want mine.”
Perhaps the most terrible fact of all is that Homelander is neither a god nor a monster.
He is simply a man without limitation.
“Sure,” he says, kissing your cheek. The touch lingers, dripping with his adoration. “Anything you want.”
So long as it includes him.
#homelander x reader#homelander x you#homelander fanfiction#x reader#my writing#yandere x reader#dark fic
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